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The film was one of a series that attempted for the first time to capture the unique and high romantic Western novels of Germany's greatest adventure writer Karl May. Now, more than 30 years later, and with a video copy of the film in my library to look at when in the mood, I find this version of Karl May's novel rather quaint and clumsy in terms of script/screenplay and certainly out of step with the more popularised versions of the Wild West.However, May's portrayal of late 19th century America was always a mixture of well researched facts mingled with high romantic fantasy adventure in the "Knights of the Round Table" or "Star Wars" vein. In this regard, the film does capture the spirit of Karl May's novels pretty well, if rather geared towards an assumed prior knowledge by the audience of the characters and of May's novels. From today's sophisticated movie audience's perspective this film version of "Winnetou I" is still noteworthy for its magnificent soundtrack rivaling any John Williams score, and for the noble portrayal of the hero by French actor Pierre Brice, who made this role his own in numerous sequels and stage shows.

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这部影片讲述了一个华人金牌女律师陈智琪（张小斐饰）在女儿被绑架后，为一位死刑犯做无罪辩护的故事。陈智琪面对巨大的压力，联手警察金志雄（李鸿其饰）展开调查，然而，事情并不像表面看起来那么简单。在搜寻线索的过程中，陈智琪为死刑犯辩护的行为受到了死者家属林淑娥（惠英红饰）的质疑。这场事关女儿生死的辩护，让陈智琪陷入了绝境。

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作为一部记录攀登珠穆朗玛峰的纪录片，这部作品不仅仅展示了张洪的拼搏精神和毅力，还通过讲述他在攀登过程中所面临的困境，向观众传递了一种坚定信念和积极向上的精神。

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在这部电影中，导演用独特的视角展现了纽约的独特魅力，让观众感受到了这个城市的活力和魅力。

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案件的迷雾电影的主线就是警察马哲抓凶手的故事。几次凶杀案最后的人证物证都指向疯子，最后疯子也被当做凶手捉拿归案。但是马哲在查案中越来越觉得案件扑朔迷离，疯子每次都出现在合适的地点拿着凶器，仿佛成为了凶杀事件的替罪羊，一场错误，引起一连串的错误，这种集体性的恶性事件，人们在一次罪恶中找到了自己宣泄、报复的机会，而事后又可以不承担任何后果，隐身在人群中，而弱者，失语者成为了替罪羔羊。世纪这片土地的各种运动同理。河边的错误，办案的过程，由一场河边的谋杀案开始，由一场表彰大